Writing a novel for book publication is really equivalent to writing a symphony for orchestral performance, whether or not you thrown-in essays and concertos for good overall  physical/pseudo-chemical measure, the novels and symphonies arguably more pseudo-chemical than physical, with a pseudo-feminine rather than masculine connotation.

Be that as it may, few people habituated to rock music and their eBook corollary, would regard anyone who, in this day and age, writes a symphony for orchestra as particularly hip.  Neither, for that matter, would it be particularly hip to write a novel, least of all for book publication, whether hardback or paperback.

As far as I am concerned, the sooner the radical social, political, and cultural pretensions of such people are exposed for what they are worth, the better!  Don’t be fooled.  Middle-class civilization, being a cross between pseudo-culture and civility, is largely neutronic, the product of bourgeois humanism, with little or no relevance to global civilization.

Anyone who thinks novels are on a par with rock music is deluded, and never more so than when he is of the novel-writing ilk, with delusions of hip grandeur.  As a writer of novels, which would correspond to a pseudo-feminine genre given to a sublimated form of drama (narrative), he will be less masculine than quasi-pseudo-feminine, and therefore not even true to his gender, never mind relevant to anything global in more or less contemporary (electronic) terms.




About centretruths

I am an Irish-born but English-raised self-taught writer and philosopher who publishers his work in eBook on the net, including with (ePub) and (Kindle), as well as through Centretruths Digital Media (PDF), and many other platforms. Latterly my works are also available in paperback at various Amazon sites, as well as at Barnes and and a wide variety of other sellers in several countries.
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